The choral setting of the Requiem Mass is a centuries-old tradition. Its formal structure has brought consolation to generations in its comforting predictability.

How then has the choral Requiem negotiated the solemn boundaries of its functional liturgical context, and situated itself firmly in the secular concert repertoire?

This talk by Dr Melanie Brown, explores the phenomenon of the requiem as entertainment and discusses influences such politics, religion and aesthetics.

The talk will cover the works of many composers, including Brahms, Britten, Duruflé, Faureé and Verdi, and the speaker will play excerpts of the music to illustrate her points.

No booking required.